
Writing/with Archives Study Group
Digital collection, Writing/with Archives Issue 1, is grounded in the Arabic concept of ḥurma — sanctity, inviolability, sacred honour, and protected relation — the collection approaches archival writing as a practice of carrying, tending, and preserving what has been entrusted as sacred. In dialogue with Indigenous archival frameworks such as Traditional Knowledge (TK) Labels, the collection asks how writing about archives can circulate while remaining attentive to questions of access, permission, care, and relation.
The contributions will take different forms and may be open-source, (un)translated, time-sensitive, or encrypted — allowing the collection itself to become a space for thinking about how archival knowledge is shared, held, and protected.
The contributions will take different forms and may be open-source, (un)translated, time-sensitive, or encrypted — allowing the collection itself to become a space for thinking about how archival knowledge is shared, held, and protected.
Season I Members
Season I · July 2026 – February 2027
We’re delighted to share this collective process with 28 members across 11 countries, bringing together archival, artistic, and literary perspectives shaped across multiple geographies:
We’re delighted to share this collective process with 28 members across 11 countries, bringing together archival, artistic, and literary perspectives shaped across multiple geographies:
Facilitators
Facilitators
SITAAD is an archive platform co-directed by Leyla Degan and Naima Hassan. Founded in 2022 and drawing on sitaad, a devotional gathering organised by Somali women, it exists as a space for archival research, publishing and knowledge production.
About the Co-Facilitators
Naima Hassan is a Berlin-based researcher working across archival, curatorial, and editorial practices. Through programmes, symposia, and quiet interventions, she regularly stages archival encounters. She is Managing Editor of Contemporary And (C&) Magazine and Project Lead at Guest Artists Space (G.A.S.) Foundation and Yinka Shonibare Foundation, where she leads the Re:assemblages programme and its corresponsive network of libraries, publishers and archives.
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Leyla Degan is a Somali-Italian artist and photography archivist based in Milan. Her practice spans photography archives, visual arts, and field research, engaging critically with colonial archives and questions of restitution in relation to Somalia. Her work draws on the history of colonial photography in Italy — a largely unexamined corpus — as a site of inquiry, counter-narration, and re-imagination, with particular attention to the experiences and memories carried within the diaspora.
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Leyla Degan is a Somali-Italian artist and photography archivist based in Milan. Her practice spans photography archives, visual arts, and field research, engaging critically with colonial archives and questions of restitution in relation to Somalia. Her work draws on the history of colonial photography in Italy — a largely unexamined corpus — as a site of inquiry, counter-narration, and re-imagination, with particular attention to the experiences and memories carried within the diaspora.
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© SITAAD
